Charles Entrekin

Three Poems Appearing in The Louisville Review

December 3, 2019 by Charles Entrekin

The Louisville Review (Fleur-de-Lis Press) have released their Fall 2019 issue and it is really stellar. I commend editor and friend Sena Jeter Naslund, Managing Editor Ellyn Lichvar (who was also guest poetry editor for the issue) and all the guest editors and staff, including guest fiction editor Flora Schildknecht who’s short story “Bad Signs” appears in Sisyphus Literary Magazine. I am happy to be in the company of poets like Jeff Worley (I was particularly fond of “Christmas in Abilene, 1957”) and authors like Aimee Lehman, whose short story “The Things We Leave Behind” won the 2019 Writer’s Block Prize in Fiction, but was as finely detailed as a memoir.

The hyperlink to purchase the issue is embedded in the beautiful cover image (“Cloud Shadows Falling on Plains” by T. Cowles) above.

I want to thank the editors for including my work in this issue. The impetus for being included was sharing and reminiscing with my college compatriot, Sena, the feelings I have and the understanding of who I have become after these last seven decades or so.  My poems are below, but I encourage you to check out the whole issue.

 

On Going Blind

Alone, in a world of sensation,
sneakers on asphalt,
whisper of traffic on wet pavement,
birdsong,
a goldfinch trilling,
mist and sun on my face,
cold breeze under a soft March sky,
trees dripping, Spring
drizzle on my hands.

Oh, the ease of it, the comfort
of all this weather washing over me.
Travelling through weather while blind
is like navigating by the stars.

I walk past the Safeway grocery
feeling for obstacles,
cracks in the sidewalk,
with my red-tipped cane.
My blind stick finds steps,
three steps up into Starbucks.

A stranger I can almost see
opens the door to let me in
and warm air rushes against my face,
and there is laughter
and tangled conversations,
a confusion of voices rising and falling,
and faint piano music though speakers,
and two giggling children scamper
around my knees,
and I try not to lose my balance
as I step gingerly to the counter
and order a Grandé Latté:
one honey, no foam.

I hold up my iPhone, tell the barista
I can’t find the scanner
and she takes my hand,
guiding me to it.
Her soft electric touch
against my skin
is almost overwhelming,
shocking in its immediacy,
its tenderness.
A sudden intake of breath,
I want to cry,
I am so grateful.

 

April 1, 2019, Gratitude Poem

I find myself grateful
for the vision I have left,
small as it is;
to walk Camino Sobrante
transiting from Geppettos to Starbucks.

Grateful to see color again
while showering:
a washcloth
suddenly appearing before me
in fulgent yellow.

Grateful to taste the food
that sparkles on the tongue,
dancing highlights
of unfamiliar odors and spices,
like turmeric or cumin,
that translate into saliva,
and I can swallow it down
without coughing.

Grateful for the words
crawling about in my veins,
as I sit with a poem in my mind
and turn it over and over
until the words fit
like they are supposed to
and do not lose
their music or magic.

Grateful to visit with friends
and delight in conversations
in which the present disappears
and the exchange becomes
a whole world of ideas
that manage to march
across the palimpsest of our minds
into some kind of alignment
that leads to understanding.

Grateful to sit with family
one-on-one
amidst the orange trees
in the Sky Garden,
around the fire pit,
when the noise
of the distracting world
is not intruding on our sharing
with each other.

Grateful to lie beside my wife
lifted out over the horizon
of our pillows and sheets
and feel her body tremble
with anticipation,
with touching.

Grateful to discover
in a new-found friend,
a love of sharing the difference
between what is real and what is not,
surfing waves,
navigating tides
of the world wide web,
grasping beauty
in a comforting office
under the blessing
and watchful gaze
of a fragmented mask of Buddha,
and a Devonian fossil
from the age of fishes.

When all we have
is this fragile appreciation
of a willingness
to love and be loved,
when whatever we have
we hold between us,
as easy as walking down a street
in the untrammeled sunshine.

 

Acknowledging Parkinson’s

…[T]he limits of language (of that language which alone I understand) mean the limits of my world.–Ludwig Wittgenstein

I used to ignore it,
a blinking red light I drove past
without stopping.

The tremor
was like a squirrel crossing the road,
indecisive,
running left, then right,

an ant
that had lost the scent,
no way to get back to the nest,
wandering aimlessly
across the unmapped countertop.

A rebellion was going on,
a soldier gone AWOL,
breaking ranks,
risking the whole,

a computer virus,
a threat to my identity
stealing my passwords,
making decisions
without me.

I try to delete it
but it comes back on its own.

In my lucid dreams,
I am unsure
who is in control.

A woman wearing bright red lipstick
offers a taste of something
dripping from her outstretched fingers.
I see her coming forward,
inviting,
but suddenly know
she is not real.
She stops,
fragmenting, shimmering,
disorganizing.

I stare but do not see her,
lost in the unrelenting
flow of sensations,
in the trembling
of the universe around her.

First Publication 2019 The Louisville Review

 

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook

Like this:

Like Loading...

Filed Under: Poetry Tagged With: Aimee Lehman, baristas, blindness, Ellyn Lichvar, Fleur-de-Lis Press, Flora Schildknecht, Geppettos, graitude, Jeff Worley, Parkinson's Disease, poetry, Sena Jeter Naslund, Sisyphus Lit Mag, Starbucks, The Louisville Review

Comments

  1. Katy says

    December 4, 2019 at 7:05 am

    Re-reading these. It’s great to have captured the here and now in these poems. They’re a really clear capsule for your experiences with blindness and Parkinson’s. Thanks again for sharing.

    • Charles Entrekin says

      December 4, 2019 at 3:58 pm

      Thank you for the thoughts and careful reading.

  2. Gene Berson says

    December 4, 2019 at 11:45 am

    Wonderful, Charles. May I share them?

    • Charles Entrekin says

      December 4, 2019 at 3:57 pm

      Thank you, Gene. Certainly!

About Charles

charles entrekinCharles' most recent works include The Art of Healing, a transformative poetic journey (Poetic Matrix Press, 2016); Portrait of a Romance, a love story in verse (Hip Pocket Press, 2014). Charles was a founder and managing editor of The Berkeley Poets Cooperative and The Berkeley Poets Workshop & Press, and was a co-founder/advisory board member of Literature Alive!, a non-profit organization in Nevada County, California. He is co-editor of the e-zine Sisyphus, a magazine of literature, philosophy, and culture; and managing editor of Hip Pocket Press. Charles is the father of five children and lives in the San Francisco Bay Area with his wife, poet Gail Rudd Entrekin.  read more

Contact Charles: ceentrekin@gmail.com

Links

Hip Pocket Press
hippocketpress.org

Sisyphus
sisyphuslitmag.org

Canary
canarylitmag.org

Entrekin Family Foundation
entrekinfoundation.org

Follow Charles

Facebooktwitterlinkedinrssinstagrammail

Recent Poems

  • Grandmother Allison’s Stance
  • Meditation At Point Reyes
  • Santa Monica Beach
  • Leaving Alabama
  • Interval
  • View All Poems

Recent Posts

  • Poems from the Threshold
  • California Death with Dignity
  • A Poetry of Mood, Place, and Time
  • Meditations on Coronavirus
  • Audible Version of Red Mountain, Birmingham, Alabama, 1965 (and Kindle Study Guide)

Archives

  • February 2024
  • July 2023
  • November 2021
  • July 2020
  • December 2019
  • May 2019
  • March 2019
  • November 2018
  • April 2018
  • November 2017
  • June 2017
  • May 2017
  • March 2017
  • November 2016
  • October 2016
  • February 2016
  • January 2016
  • November 2015
  • August 2015
  • July 2015
  • June 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • January 2012

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Tag Cloud

1965 Aimee Lehman Alabama AmazonSmile Audible baristas Berekeley Poets Workshop & Press Birmingham CanaryLitMag Charles Entrekin creative non-fiction creative writing Democracy Esam Hamdi Fleur-de-Lis Press Flora Schildknecht Gail Entrekin Gene Berson George W. Bush Geppettos Habeas Corpus Hip Pocket Press Jeff Worley Kindle Missoula Morality Parkinson's Disease Paul Dolinsky Philosophy poetry Propaganda Rainier Maria Rilke Red Mountain Richard Hugo Sena Jeter Naslund Senate Report Sisyphus Lit Mag SisyphusLitMag Starbucks theory of poetry Torture University of Montana W.B. Yeats what is poetry about Wordsworth

Books

  • Poems from the Threshold Cover
    Poems from the Threshold
  • What Remains Cover
    What Remains
  • the art of healing
    The Art of Healing
  • Portrait of a Romance
    Portrait of a Romance
  • The Berkeley Poets Cooperative
    The Berkeley Poets Cooperative
  • Listening
    Listening
  • red mountain
    Red Mountain
  • in this hour
    In This Hour
  • Casting For The Cutthroat & Other Poems
    Casting For The Cutthroat & Other Poems
  • Casting For The Cutthroat
    Casting For The Cutthroat
  • all pieces of a legacy
    All Pieces of a Legacy

Appearances

Wednesday, June 11, 2014
KPFA Radio - "Cover to Cover" with Jack Foley
part 1


part 2

Sunday, August 10, 2008
WDUN News/Talk 550 - "Now Showing" with Bill Wilson
part 1


part 2

Monday, July 28, 2008
ESPN Radio 930 - Interview with Jean Dean

Monday, May 26, 2008
KVMR 89.5 - Book Town with Eric Tomb

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in

 

Loading Comments...
 

    %d